I–V–vi–IV
A → E → F♯m → D
A widely used pop progression. Minor vi adds a different colour before IV.
Notes: A–C♯–E / E–G♯–B / F♯–A–C♯ / D–F♯–A
Choose a major key and find four common chord progressions. Numerals describe the roles; chord names follow the key.
Roman numerals count from the scale’s root. Uppercase means major, lowercase means minor, and ° means diminished. In A major, A is I, D is IV, E is V and F♯m is vi.
A → E → F♯m → D
A widely used pop progression. Minor vi adds a different colour before IV.
Notes: A–C♯–E / E–G♯–B / F♯–A–C♯ / D–F♯–A
A → D → E → A
Home, away, tension and home again. Listen especially to V → I.
Notes: A–C♯–E / D–F♯–A / E–G♯–B / A–C♯–E
A → F♯m → D → E
A classic pop and doo-wop progression with the minor colour of vi.
Notes: A–C♯–E / F♯–A–C♯ / D–F♯–A / E–G♯–B
Bm → E → A
ii → V → I is a central jazz turnaround. This is a simple triad version; jazz often uses seventh chords.
Notes: B–D–F♯ / E–G♯–B / A–C♯–E
Starting points, not rules. Melody, rhythm and style determine what works. Each chord lasts four beats at 80 BPM here.
Why do these chords fit? →